In this video I ponder on the ‘bear’, the cave (pit), goddess and ‘connections to the stars’.
The Wentworth Bear Pit was designed by Watson and Pritchett in about 1800, re-using a doorway of about 1630 from the old Wentworth estate. It is built on two levels with an underground chamber and viewing gallery.
Over the upper doorway is a plaque that reads: “There is healing in the garden When one longs for peace and pardon Once past the gate no need to wait for god is in the garden.”
The notion of rising from the pit from a Christian view can also relate to the life after death and ‘light at the end of the tunnel’.
“Who makes the Bear, Orion and the Pleiades, And the chambers of the south” Job 9:9
2022: Time to choose the righteous path
There are two paths before you; you may take only one path. One doorway is narrow. And one door is wide. Go through the narrow door. For the wide door leads to a wide path, and the wide path is broad; the wide, broad path is easy, and the wide, broad, easy path has many, many people on it; but the wide, broad, easy, crowded path leads to death – Matthew 7:13-15
Based on the vibrational, esoteric knowledge around the number 22, and all I have been describing in Part One, It feels like the autumn of 2021 is going to ‘lead’ to both a harmonizing and ‘very disturbing’ winter 2022.
In the first instance, the current ‘Covid circus’, and what I call The Dr. Covid Universe, is going to lead to the illusion of a 2nd pandemic of sorts. The obvious effects on the immune system because of the ‘spike protein’ delivered via the ‘Covid vaccine’, could pave the way for such chaos. Especially as we enter the global flu season again – the flu season that conveniently disappeared in 2020/21. As I say, the numerological ‘vibration’ of 22 is all about ‘endings and beginnings’, ‘sudden change’, chaos and the ‘magic needed’ for building a new structure – new world. Therefore, I expect to see the propoganda and ‘fear’ ramped up as we enter 2022, possibly January/February, when Orion dominates the skies. The dates between 2nd to the 22nd of 2022, or Imbolc (Candlemass the 40th day of the Christmas–Epiphany season), will be a ‘marker’ for the forces inverting such pagan dates for ‘darker deeds’. I am sure they will be gearing up for ‘their’ feast of souls in 2022! The three Full Moons of 2022: 17th January (wolf), 17th February (Snow) and 18th March (Worm) need to be noted, too.
The Path of Fear leads to: More Lockdowns, food shortages & the real Pandemic yet to come
- Extreme lockdowns will be rolled out again as we leave 2021 and we need to resist the tyranny. We are going to see the unawake manipulated to ‘turn on the awakened, as we move into 2022, with a focus on mandatory vaccination.
- The ‘fall out’ from the Covid Vaccine (as more and more people become ill and start to die because of it) will be used to push for more control over humanity.
- The beginning of the roll out of a ‘papers please’ Vaccine Pass (app), which is designed to become the only means by which one can ‘purchase’ the basics of life, travel and eventually receive medical treatment.
- The possibility of devastating fallout (hospitalization) caused by the spike protein leading to unprecedented death; and with it, more draconian measures (severe lockdowns) and the call for the ‘unclean’ (the ‘unvaccinated’) to be separated from the rest of society. All of these scenarios are markers of the number 22, the master builder of a ‘better world’ – the Great Reset, etc. The Temporary Body Storage Service ‘tenders’ for 32 (23) London boroughs, noticed by people in June 2021, should be alarming enough.
- Along with the ‘darkness’ of winter 2022, could come the start of global food shortages. I have seen projections from articles published by Cargill (the largest privately held corporation in the United States) as part of an ‘Event 201 style’ simulation in 2015 that ‘projected’ a food crisis between 2022-24.1 The event called ‘Food Chain Reaction game, saw 65 international policymakers, academics, business and thought leaders gathered at the World Wildlife Fund’s headquarters in Washington DC to ‘game out’ how the world would respond to a future food crisis.2
- Climate Change will be a focus, and in may ways the Covid ‘Lockdowns’ are a precursor for ‘future’ Climate Change hoax lockdowns (huge restrictions), beyond 2023.
- The same ‘magic window’ of 2022-24, could relate to the real 2nd pandemic that had Bill Gates and his wife smirking in their interview in July 2020. In the video Gates said: “We’ll have to prepare for the next one. That will get attention this time.”
The Food Chain Reaction game (simulation) projected was a deal between the U.S., the EU, India and China, standing in for the top 20 greenhouse gas emitters, to institute a global carbon tax and cap CO2 emissions in 2030 (what a surprise!), all based on a ‘steep price spike’ and ‘global food’ shortages starting in 2022! The planned pandemic and food shortages are designed to bring about the Great Reset, Agenda 2030 and as many have been saying for years, a central world authority ruling over a micro-chipped global population. For the latter consider the mRNA vaccination program wheeled out in 2020 courtesy of the smirking Gates Foundation.
A zombie-like population, manufactured food shortages and further (severe) global lockdowns instigated though more so-called Covid ‘cases’ (variants), fall out from the vaccine, and climate change, all seem to be a possibility as we move through 2022 and beyond. The movie Songbird, directed by Adam Mason gives a ‘not so fictional’ taste of the future should we allow the Covid narrative to continue unfolding, leading to a global facsist state. We are building our own prisons by complying with the narrative and we haven’t seen anything yet in terms of ‘control’ and loss of freedoms, unless we wake up!
The signs are there for all to see, or for those who are willing to take back their mind and bring true light to the darkness of the skull (constructed out of 22 bones)!
Eden Restored, or, the New World Order?
In Revelation 22:1 we are given an image, a ‘promise’ of the ‘new world’. What I am about to say can be taken two different ways like ‘22’ and could be a warning of what the world would be like in the period after 2030, especially for those who have received the ‘mark’ (the jab). Are we being prepared for the ‘great re-setter’, the ‘great redeemer’, in the form of a miracle cure to all our ‘ills’ (tribulations)? The worship of all things ‘nanotech’ (the false light) placed inside our biological bodies is the ultimate plan. As Revelation 22:1 to 5 says:
Then the angel showed me the river of the water of life [the path], as clear as crystal, flowing from the throne of God and of the Lamb down the middle of the great street of the city. On each side of the river stood the tree of life, bearing twelve crops of fruit, yielding its fruit every month. And the leaves of the tree are for the healing of the nations. No longer will there be any curse. The throne of God and of the Lamb will be in the city, and his servants will serve him. They will see his face, and his name will be on their foreheads [nanotech/microchip]. There will be no more night. They will not need the light of a lamp or the light of the sun, for the Lord God will give them light [bioluminescence tech/luciferase/magnetogenetics]. And they will reign forever and ever.
The passage could also relate to awakened (Christ) consciousness overriding the planned turmoil and the control that follows? I will leave that concept for you to ponder on.
Vibration is the key to dismantling all things Covid
Electromagnetism is very much part of number ‘vibration’ and all I’ve been outlining in this blog. A great field or ‘sea’ of electromagnetic waveform constructs our reality, influencing our mind and body. Our astral bodies and Soul connects us to this field, too. Our DNA is waveform infomation and we are electromagnetic beings dwelling in an electromagnetic soup. Our hearts and minds are ‘transmitters’ and ‘receivers’ of information (energy). Our unique ‘vibration’ is what interfaces with the ‘ocean of waveform’ (information) which manifests as the world aroud us.
If we immerse ourselves in a ‘sea of fear’, ‘chaos and disharmony’, then we manifest experiences (reality) through electromagnetic vibrations (frequencies), to match these thoughts. Often our conscious thoughts are influenced by the subconscious world of symbols, numbers, magic and spells, which is why specific numbers are used to impact reality. Collectively our thoughts (brain waves) can be planted, or ‘transmitted’ via other ‘external’ waveforms, mantras, narratives and ‘beliefs’. Technology and television (tell-a-vision) play a huge part in this process, which is why so much fear is spread through the TV on purpose. See every mainstream News program on the planet! More than ever we need to be in our truth vibration and ‘speak’ our truth vibration.
We have been under a spell for a long time, but it’s become more obvious since 2020! The bar has been raised as higher consciousness pushes back on the mind control. The ‘Covid Spell’, has kept millions mesmerized and in fear, and the only way out of this catch-22 situation, or to shake off the mantras and ‘mind games’ connected to ‘all-things-covid’, is to vibrate (think) differently. Thoughts spread electromagnetically, as they take shape in the ‘field’ or sea of energy surrounding us. Thoughts are also ‘planted’ courtesy of mass hypnosis provided by the mainstream media, social media. By definition, a ‘mind virus’, or ‘virus’ can also spread ‘electromagnetically’. I am sure the ‘fear of Covid-19’ has been the real transmitter of the symptoms in the minds of the masses since the whole scam began. It’s amazing how the flu became worse in the ‘collective minds’ of those living in fear of Covid?
Sounds, colours, images, even ‘rules, all have vibrational impressions on our collective reality. Keeping a narrative ‘alive’ is part of the spell, even when blatant contradictions (lies) can be seen visually by those with ‘eyes to see’. Social distancing has (or was ever) nothing to do with ‘catching’ a so-called coronavirus. Hidden forces that have ‘hacked’ into human consciousness for aeons, know that keeping us apart, devastates the human electromagnetic field. The dark (fascist) forces behind the Cabal want humanity disconnected from each other. 2022 will magnify this desire to divide us further. We have to laugh at these forces while staying firm in our stance against tyranny.
It’s time to operate from the heart, lose the fear, the masks and the bullshit, and get back to being human beings operating from the heart. The gatherings will grow as more and more people ‘come together’ as Oneness.
The use of Greek/Phonetic words (sounds/letters) such as ‘Delta Plus’ is more about mind control and ‘magic’. Anyone knows that ‘delta’ brain waves relate to being asleep and having a ‘healthy immune system’ and are waves more regularly found in ‘children’. They are using such words, letters and numbers (not just for their magic variants) but to target the mind, to instigate the coming changes desired by those who want to reset – build a new earth. It’s interesting to note that the use of the words ‘Delta’ and ‘Lambda’ variants, are also the same names for 5G antenna? The onslaught against the human energy field is based on frequency! You’d have to be fast asleep (in a ‘permanent’ Delta wave) to believe any of the variant nonsense spewed by governments and their mouthpieces, the mainstream media. Yet, with millions now carrying spike protein, courtesy of the jab, and the Delta ‘Plus’ term used by governments is more likely to mean a ‘living dead’ (even death) for those who have partcipated in the gene-altering therapy jab… you can’t get any deeper asleep than that! The choice we face is to to live (life) from the ‘Heart’ or dwell in ‘fear’ (death) courtesy of the ‘mind’.
Two-hearted or One-hearted human ‘beings’
A society dominated by the mind (the skull) according to the Hopi, is a path walked by those they call the ‘Two-Hearted’ (humans with a mind and heart in conflict). The Hopi Prophecy rock shows our present reality (world in our heads) as two paths. One path leads to destruction (the upper path) and the lower in the petroglyph leads to a new earth, a paradise. The upper path is dominated by the Two-Hearted and leads to self-destruction. It is the path of ‘technology’ without spirituality, a path of chaos and fear. The lower second path is the ‘straight and narrow’ path, also called the eternal path’ for those with a strong (spiritual) heart who have chosen truth and love over fear and death. These are called the One-Hearted by the Hopi; human beings who are awake and ‘guides’ (symbolized by a small connecting path between the 2 main routes).
Where the two paths connect represents the time (just before) what the Hopi call the ‘great purification’. A time of massive awakening on earth! The period of the ‘parting of ways’ is upon us, and it has become glaring clearer in how the awakened and the un-awakened have responded to the Covid hoax. Families, friends, colleagues have all been ‘split’ like the two paths. And as the gospels proclaim in relation to the coming of ‘Christ Consciousness’:
… For I have come to turn ‘a man against his father, a daughter against her mother, a daughter-in-law against her mother-in-law … Matthew 10:34
So is the nature of ‘higher consciousness’ as it makes its presence known to ‘all’, both the awakened and those asleep. We are all being asked to become higher consciousness.
2022 into 2023 will not only clearly (visually) reveal the 2 paths, we will see many jump paths as they choose with the ‘intelligence of the heart’ and the power of the Truth Vibrations. Small groups will also gather in there thousands to anchor the Truth Vibrations on earth. I have seen this image in my visions, as groups of humans all dressed in white (symbolically), surrounded by multi-coloured lights descending from the skies, bathing all who are opening their heart to Infinite awareness.
If we live in the Spirit, let us also walk in the Spirit. (Gal. 5:25).
Or put another way,
Whoever walks with the wise becomes wise, but the companion of fools will suffer Dr. Covid’s ‘Magic Variants’, Tyrannical Circus until they become cult-like Clowns, performing the ‘New Normal’ for eternity.
The choice between following the path of the heart (love and truth), or choosing the path of more fear and lies, leading to misery or even death for those who are under the spell, will become the transformational talking point as we move through the ‘resetting’ vibration of 2022.
Spirit is calling you! It is time to answer that call and take the path of righteousness!
Go in Peace
Time to choose the righteous path (Part One)
For ye suffer fools gladly, seeing ye yourselves are wise.
Corinthians 2 11:19
I’ve been writing and illustrating esoteric subjects for over 20 plus years plus. For those who follow my work will know I like to look closely at the symbolism used by the Cult and ‘unseen’ forces waging war against humanity. In this two-part blog (you might want to make a cuppa, it’s a long one) I am going to look at a theme that has sparked my interest over the past few months, not least an intuitive ‘feeling’ (a hunch) connected to the ongoing Covid ‘drama’, which, is being used as an obvious excuse for an unfolding global tyranny. For more fun, facts and insights, in response to Covid, see my new comic book The Dr. Covid Universe.
Ramping up the Fear & Darkness
What sparked my ‘spider senses’ was a spectacular ceremony in Egypt (April 2021) when 22 mummies where transported to a new resting place 3,000 years after they were entombed in Valley of the Kings.
The last time ancient Egypt was used in such a ceremonial ‘magic’ show (to celebrate the bloodlines of the ancients and ‘mark time’), was the Jean Michel Jarre concert at Giza in 2000 before the world faced 9/11. Egypt, which is the place from whence the original priesthood, Cabal descended is also ‘Orion’s (Osiris) land’, for more on this see my book Orion’s Door.
The use of ‘darkness’ is also important in these ceremonial ‘events’, just as it was utilized at the beginning of the Covid-19 hysteria in Milan, Italy when we witnessed a line of parked military trucks placed to install fear of the deadly virus. So was the use of the term ‘Dark Winter’ by President Biden in late 2020. Whether a ceremony at night, or the use of mantras, all are designed to install fear of the unknown. As bad as winter 2021 was, I feel Biden and others were referring to the coming winter of 2022, for numerological reasons I’ll get to. The same mind spells and TV magic were happening in China (February 2020) with alleged ‘victims’ of Covid-19 ‘dropping to the ground’, all designed to install fear!
Reinforcing the Narrative
Another example of ‘reinforcing’ the narrative through imagery on television especially was the Euro soccer championships in June/July 2021. We had stadiums in places like Budapest and Wembley crammed packed full of fans, with no one adhering to the ‘social distancing’ rules, while the soccer TV pundits were ‘spaced out’ to reinforce the Covid ‘narrative’. Expect to witness endless ‘visual’ contradictions (and more distractions) especially as we leave 2021 behind and 2022 arrives. Matt Hancock won’t be the last public figure to be thrown to the wolves purely to serve the agenda. The duality will also become more obvious to those who are awakening, too.
The number 22 (like 11 and 33) is about ‘manifestation’, (or the ‘place of manifestation’), from where unseen forces make themselves known. The Third World War is already taking place in the unseen levels of reality and it’s about to become more obvious as we move through 2022. So I ask, what sort of ‘darkness’ (or event) is the Cabal planning for 2022 into 2023?
Before I ‘speculate’ let me set the scene and look at the esoteric background to the numbers 22 and 23.
22 – The Master ‘Builder’ Number
In numerology, the number 22 is often called the ‘Master Builder’ for reasons that will become clear as I proceed. It is commonly known that 22 – 24 ‘Phoenician-Hebrew’ books constitute ‘Jewish Bible’ and the Hebrew alphabet is made up of 22 letters, which was, according to their faith, created to compose the ‘Word of God’. The word can be understood as ‘sound’, ‘energy’, ‘vibration’ and ‘light’ – the Logos. The word of God is also called a lamp in Psalms 119:105, Proverbs 6:22, and the ‘light by which we are to live’. The light is the fabric of the matrix, our illusion reality, therefore, the coding of ‘22’ within much biblical text can be seen as an integral focus on ‘vibrational themes’, on magic and the codes for ‘building’ a new reality.
Twenty Two is the number of ‘Revelation’ and the Book of John is said to be the 22nd book written and included in the New Testament. In the 22nd chapter of the Gospel of John, Christ identifies himself as the ‘Alpha and Omega’ which would be the ‘first’ and ‘last letters’ of the Greek Alphabet, ‘Aleph’ and ‘Tav’ (more on ‘Tav’ shortly). The word ‘light’ is also repeated 22 times in the same gospel, and on the 22nd time, John quotes Jesus: “I have come as a light into the world …” (John 12:46). The miricale double-jabbed (22) ‘Vaccine’ is being given a ‘Jesus-like’ persona, for those who ‘believe’ in all things Covid. In this manner, the number 22 could be seen as uniting the entire works of Scripture and is said by some scholars to carry the numerical value relating to the Hebrew word ‘Yachad’, meaning ‘unite’. What did billionaire Richard Branson call his sub-orbital spaceflight? Virgin Galactic Unity 22! The number ‘vibrationally’ is significant.
We are actually seeing a ‘splitting’ in society over the ‘miracle vaccine’, as those who wish to build back better use it to install fascism. Yet true unification is the key to our plight as we shall see. The heart and mind need to work as one!
The Kabbalah also talks of 22 paths between the Sephirot, the Tree of Life (our DNA) and the letters of the Hebrew alphabet. The letters/symbols are considered the building blocks of the Universe (reality), just as DNA builds the physical world. The underlying occult scientific significance of the number 22 in science seems to be made manifest in the quantity of the bones of the human skull, of which there are twenty-two (8 form the cranium and 14 are associated with the face).
You could say that our brain (or mind) inside the skull (head) is the vehicle through which we ‘think’, ‘reason’ and come to ‘know our true self’. But the heart is the true brain! The 22 letters of the Hebrew alphabet (created to compose the Word of God) are symbolic of the 22 bones of Golgotha (skull), and the place from where we symbolically ‘receive the light’ (become illuminated), or like John, we create magic, or have our own ‘Revelation’.
Gnostic Keys to ‘Number 22’
The number 22 is considered a gnostic key to revelation in the Bible, where it is revealed in Isaiah 22.22: “And the key of the house of David will I lay upon his shoulder; so he shall open, and none shall shut; and he shall shut, and none shall open.” 22 is a vibrational ‘opener and closer’ of worlds. Some writers say the number 22 unites the entire Bible in the form of a Wheel (or Galgal), which unites the heart of all 66 Books of the Holy Bible. You could also see the numerology as 3 cycles of 22 Books ‘united’ in one perfect circle.
The number 22 can also be symbolic of a huge amount of ‘chaos’ since it is a double numeric of the number eleven, which represents ‘chaos’ and ‘disorder’. In this way, we often see 22 as a ‘period’ of chaos (or disorder) followed by something new. As I say the number is significant to the priesthoods who wrote the script (scriptures).
In the book of Genesis, it is claimed God created 22 ‘creations’ within the six days of creation. God and his ‘rule of 6’, eh? The Bible also records 22 generations from Adam to Jacob. As a master number, 22 can be associated with the vibration of the ‘Master Builder’ (‘Build Back Better’) who has the ability to turn the loftiest dreams into concrete realities.
In reverse it also has the capability to turn reality to chaos. According to numerologists, the number 22 is powerful when it occurs in one of the core positions in a person’s Numerology chart. In everyday experience, 22 is considered a simple multi-digit number that can also be reduced to ‘4’ (2+2) and sometimes depicted as 22/4. The number’s ‘23’ and ‘24’ are also relevant to the same numerological themes. 22 is a duality number, it can go one-way, or the other! Plentitude can easily become ‘shortages’, or visa versa, as I’ll come to in Part Two.
22 in the Tarot & in Alchemy
It would be no surprise to find that the Major Arcana in the Tarot also has 22 cards for good reason, it’s the same coded knowledge used by ‘ancient’ Egyptian/Hebrew priests, who like the Tarot, emerged out of ancient Egypt. The Tarot culminates with the World card in the 21st position, which loops back to the Fool card the ‘0’ or, the ‘22nd’ card (Alpha and Omega). The World card is said to be symbolic of the attainment of a ‘path’, a ‘life’, or ‘world’ (reality), where as the Fool is the ‘beginning’ of the journey. In New Age circles the World and Fool are considered the cards to ultimate spiritual fulfillment. But since everything can be inverted, 22 can be used to create Hell rather than Heaven on earth.
For some, the ‘vibration’ of number 22 (like 33) is considered even higher than our world (our physical reality). Therefore the number 22 relates to the ‘Masonic architect’ or ‘builder of worlds’ (Build Back Better again). The Tarot card that is associated with the energy of 22 is usually The Fool card, which is symbolic of ‘Orion’, ‘Adam’ and the ‘originator to come’ (see my book Orion’s Door). All of this symbolism seems a contradiction at first, until you take a closer look at the symbolism of The Fool, which is elevated due to its symbolic importance in the heavens as Orion. The connection between the Fool and the World, or the ‘Kether’ (heaven) and ‘Malkuth’ (earth) in the Tarot and Kabbalah, is the ‘Mark’, the ‘sign’ (a signal), or ‘monument’ to the ‘highest power’. According to some numerologists, the number 22 also influences the numbers 2, 4 and 11, and is therefore disciplined and organized in its appearance and it’s symbolic value all associated with the symbol of the cross, too. In this way, the number 22 can also be the number of partitions of 8 (2+2+2+2=8), which is attributed to Saturn (Satan), and can relate to ‘sudden change’ – the end of something and the beginning of something ‘new’ – a New World Order?
I would watch what happens through the autumn (Fall) of 2021 through to the winter of 2022 very closely (Orion’s reign in the skies), as I will come to in Part Two.
There are also 22 Alchemical Symbols with the 22nd symbol being ‘Zinc’, which is an essential trace element needed for the proper growth and maintenance of the human body. Zinc is found in several biological systems and is needed for our immune function, wound healing, ‘blood clotting’, thyroid function, and much more besides. There are 22 genetically encoded (proteinogenic) amino acids, 20 in the standard genetic code (DNA) and an additional 2 that can be incorporated by special translation mechanisms. Added to the mix is the given value of ‘frequency’ is 22 Hz. I think you get the picture!
Fool me twice …
Fool me once, shame on you; fool me twice shame on me.
The Fool, Magician and Hermit cards are major archetypes showing a connection to Orion (the original star man). The Major Arcana tarot cards seem to be hinting at a path of self-discovery, that starts with Orion (the Fool card) and ends with the earth matrix (the World card). An interesting French blog, The Constellation of Orion, The Mystery of Orion – a giant on the Ecliptic, connected to the last heir of the Master card makers of Marseilles, Philippe Camoin. In the blog, the writer reached the same conclusions regarding the tarot, the Fool, and Orion. Camoin is an expert on the tarot, and it was no surprise to see that he also saw the Fool as Orion. The article read:
The number 22 is a powerful number, it is a “master-number” and is considered to be beneficial. It symbolizes the manifestation of being in its diversity and in space-time. Although the MAT [the fool] does not carry a number, it remains the 22nd major arcane of the ROTA (sky wheel) Tarot. Kabbalists, on the other hand, believe that it is the 21st blade, because the SHIN that can be compared to the Chinese SHEN (Orion) is the 21st letter of the Hebrew alphabet.1
Interestingly, according to Camion, some of the Major Arcana cards can be placed side-by-side and elaborate further on the Orion, Sirius, Saturn, Moon connection.2 The ‘Tau’ or ‘Tav’ literally means ‘cross’ (a portal), and is the final letter of the Hebrew alphabet. Many will ‘cross over’ to the righteous path (or pass away) as we move through the vibration of 22.
The Tau (T) also corresponds astrologically with the planet Saturn (skull and crossbones) often as a winged angel ‘creature’ sitting atop the Tau (T) Tree of Life, including the concept of ‘finality’, the end, or final card in the Tarot. I am not an etymologist of course, but the letter ‘X’ (cross bones) seems to be especially crucial as it is the 22nd letter of the Greek alphabet. The ‘X’ is used excessively in the media, in logos and other symbolism and relates to the power of 22 and the finality of an event – even death.
Catch-22 (A two-tier society)
A catch-22 is a paradoxical situation from which an individual, nation or ‘planet’ cannot escape because of contradictory rules or limitations. Coined by Joseph Heller, who used it in his 1961 novel Catch-22, the phrase also means a ‘dilemma’ or ‘difficult circumstance’ from which there is no escape. Try travelling anywhere abroad since the arrival of Covid and tell me it’s not all about binds, restrictions (rules through coercion) placed on free people as one giant Catch-22 (a two class society) – All by design.
Catch-22 can also reflect frustration with known unknowns, which can be understood in other terms such as; ‘Begging the question’, ‘circular reasoning’, ‘deadlock’, ‘double bind’, ‘false dilemma’ and a ‘feedback loop’. The Covid-19 ‘drama’, especially the use of ‘vaccine coercion’ (through 2021), towards getting people back to a ‘normal life’ can be seen as a Catch-22. It’s all hinged on human ‘compliance’ with insane ‘double binds’ and ‘false dilemmas’ were an experimental jab is the only way out of escaping an illness that over 97% recover from! John Lennon summed our insanity and dilemma up when he said: “Our society is run by insane people for insane objectives. I think we’re being run by maniacs for maniacal ends, and I think I’m liable to be put away as insane for expressing that. That’s what’s insane about it.”
What’s also insane is the amount of times the number 22 features in historical events such as terrorist attacks, etc!
22’s – double digits everywhere
Numerology, especially the numbers 11, 22, and 33, for example, are considered ‘Master Numbers’, the highest being ‘33’. According to author Ellis C Taylor, Master Numbers also relate to ‘health issues’ especially around bone (skull/spine) and fractures, and these numbers have an ‘air of detachment’. This highest of the master numbers was the alleged age of Jesus at his death-resurrection giving more esoteric accents. 33, like 22, relates to the ‘spinal column’ and the ‘skull’ that sits atop it (see Golgotha again). Many assassinations and terrorist attacks seem to have being orchestrated around the ‘numerological vibration’ of 322. It is also the number on the seal of one of the most notorious secret societies, the Skull & Bones.
Here are a just few examples of 22 coding:
22nd November 1963: President John F. Kennedy Sr. was shot and killed in Dealey Plaza in Dallas, Texas near the 33rd Parallel (11 + 22 = 33). Dealey Plaza is the site of the first Masonic temple in Dallas, and a Masonic obelisk. Thus, we see the numbers utilized in the JFK assassination. Robert F. Kennedy, was killed at the Ambassador Hotel in Los Angeles, California, close to the 33rd Parallel and also near a Masonic Lodge. Like the assassination of JFK, this assassination contains occult Master Numbers. RFK was shot by a 22-caliber pistol.
22nd February 1967: 25,000 US and South Vietnamese troops launch Operation Junction City against the Viet Cong. The Largest US airborne assault since WWII.
NASA also likes to use the number 22, see the Astronaut Group 22.
The 22nd day of March, May and July seem to have been more than ‘coincidental’ over the years! Remember these attacks?
Anyone who has studied secret society symbolism will see the obvious Masonic connections to the number 22. Delta Kappa Epsilon (ΔΚΕ), commonly known as DKE (or Deke), one of the oldest fraternities in the United States, was founded June 22, 1844. The 22nd Amendment (‘no person shall be elected to the office of the President more than twice’) and the founding fathers obvious connections to European Freemasonry is well known.
The 22nd degree in Freemasonry is thought to commemorate the biblical Sidonians who are said to have ‘felled the great cedar trees’ to create the Ark of Noah, the ‘Ark of the Covenant’ (Arks were thought to be made of Acacia wood), and was the wood used for the Temple of Solomon. The song 22 Acacia Avenue by Iron Maiden on their album Number of the Beast (22 March 1982 ), hints at this Masonic knowledge. The Masonic title relating to the 22nd degree is called the ‘Knight of the Royal Axe’, or ‘Prince Libanus’ a title connected to a royal Prussian Knight, at the time of the Crusades. According to masonic writings, whoever reaches the 22nd degree becomes (in title) a Knight of the Royal Axe (double axe), which was the symbol of the builder, the wood-cutter and ‘executioner’, etc. The axe was an important symbol of power and were often depicted on Chinese robes worn by officials, representing the Emperor’s power to ‘guide the nation’ through ‘tough times’.
22 Codes – Masonic symbolism in Social Culture
It’s no surprise to find movies and songs with the number 22 in their titles. Films such as 2:22 & Mile 22, 22 Bullets are a few examples. In 2:22, Dylan, an air traffic controller is ‘awakened’ through narrowly escaping responsibility for a mid air collision between two passenger planes. Caused by a mysterious ‘blinding light’ that happened at 2:22, strange occurrences continue to lead Dylan’s life. You could say his life and soul are moved through the ‘vibration of 22’.
The Pixar/Disney animated Christmas Day movie 22 uses the same symbolism. The narrative in the movie talks of where souls find their ‘spark’ before joining the mortal coil and being born as babies on Earth. One of the main characters called Soul #22 searches tirelessly for her ‘spark’ in an effort to get back to life and fulfill their dreams. The film has ‘interdimensional travel’ between different realities, and considers the ‘afterlife’, with the main theme being ‘death’ and ‘rebirth’. As I’ve already pointed out, 22 hints at ‘building’ something new, or being reborn, etc.
The list of songs with the number 22 in their title or lyrics adds more ‘logic’ to the esoteric symbolism! See here
The letter ‘V’, which is the 22nd letter in the alphabet. The word COVID, Vaccine, are also coded with the vibration of 22, too. The esoteric ‘vibration’ of 22 can relate to sudden ‘death’ (symbolically) or ending and ‘renewal on one level, but there are also more mysterious connections to 22. According to the Beast, Aleister Crowley and the Hermetic Order of the Golden Dawn: “The ‘V’ symbol also echoes the downward-pointing triangle, a symbol of Horus, the Crowned and Conquering Child of the New Aeon – a New World Order”.
In 2022 there will be a clear push towards conquering those who don’t want to be vaccinated and the need (by those in power) to fully manifest the ‘New’ Normal.
V (22) for Vendetta & the ‘Pushback’
The 2005 film titled V for Vendetta is about a totalitarian dictatorship (in the UK) that gains its power by creating a society of fear due to an alleged virus spreading throughout the world in what is supposedly the year 2020. Mmmm! Likewise, the global protests and marches often symbolised by the V mask in recent times have the same ‘22’ energy. These will grow and become more prevelant into 2022.
22s in the ‘Headlines’ (Past & Present)
The International Military Tribunal, November 1945, in the Palace of Justice, Nuremberg brought indictments against 24 major war criminals and seven organizations – the leadership of the Nazi party, the Reich Cabinet, the Schutzstaffel (SS), Sicherheitsdienst (SD), the Gestapo, the Sturmabteilung (SA) and the “General Staff and High Command”, comprising several categories of senior military officers. These organizations were to be declared ‘criminal’ if found guilty, 22 out of 24 were sentenced, some condemned to death. Interestingly, 22nd February 1941: IG Farben builds the ‘Buna-Werke’ camp in Auschwitz.
Some of the people who have died at the age of twenty-two are Buddy Holly, Terry Fox, and Robert Wadlow, among others. The 22nd state in the United States of America is Alabama. The Saturn ‘V’ (22) rocket that made it possible for humans to land on the moon was designed in Huntsville, Alabama.
March 22nd-24th 2020 – lockdown begins in the UK with lockdown ‘review’ dates occurring on the 21st/22nd of June 2021.
March 22nd – 23rd 2021, the Suez Canal was blocked for six days after the grounding of Ever Given, a 22,000 TEU container ship.
In more recent months;
- June 2021: Derek Chauvin sentenced to 22 years for murder of George Floyd.
- June 2021: Brits condemned to ‘living nightmare’ in 22-year wait to remove Grenfell cladding.
- June 2021: At least 22 US governors haven’t been vaccinated yet.
Are you seeing the spell (the coding)?
Numbers, ‘Apophenia’, Codes & ‘Ordo Ab Chao’
As mentioned earlier, the energy or vibration of 22 seems to imply a dualistic (one way or the other) scenario in the world at large. It’s also a number, like 11, that seems to ‘get noticed’ by people when they check a clock, which again alludes to the illusion of time, Saturn and some of the esoteric symbolism already mentioned. The number association of 22, 11 and 23 was developed in the writings of Aleister Crowley and Robert Anton Wilson, called ‘apophenia’ (a tendency to perceive connections and meaning between unrelated things). These number codes seem to correlate with ‘seeing’ the matrix or ‘illusion’ at work.
Through 22, I have seen written references to the ideals of honesty, honor, integrity, probity mean uprightness of character or action. Honesty implies a refusal to lie, steal, or ‘deceive’ in any way. Honor and integrity implies trustworthiness and incorruptibility to a degree that one is incapable of being ‘false’ to a trust, responsibility, or pledge. For its opposite, see every lying politician you can think of, especially in recent years!
The ideal behind ‘22’ relates to duality, balance and inner harmony – or in it’s inverted meaning, it’s imbalance, disharmony and lack of everything!
The number 23 (2030) is also important to the forces (secret society networks) that have been working towards the Great Reset or Great Work of the Ages. Like twenty-two, ’23’ also appears consistently in symbolism within movies, politics and ancient calendar systems, too. Here are a few examples:
- The ancient Egyptian and Sumerian calendars began on 23rd July, connecting to the rising of the star Sirius (see Orion and the Fool symbolism above).
- The 1998 German movie, ‘23 – Nothing is what it seems’, and the Jim Carey film 23, are both based on people with supposed apophenia. The former is about a ‘computer hacker’ who dies on 23rd May 1989.
- Interestingly, in March 2018, ‘23’ Russian diplomats were ‘expelled’ from the UK due to a ‘supposed assassination’ of ex Russian spy, Sergei Skripal, and his daughter, in Salisbury. Why weren’t 17, 19 or 21 (or even 22) diplomats expelled? Why 23? It seems clear to me that the numbers ’22 & 23’ are connected to ‘mind-magic’ (vibrational codes), aiding in reinforcing the ‘control’, or ‘agenda’, to bring about a deception or ‘new order’.
In the opening code sequence of the film Matrix Reloaded, the final, most prominent number is 23 reversed, as if looking from inside a mirror. A reversed 23 could also be ‘32’ which is the double-headed eagle symbol for the Scottish Rite of Freemasonry (see the double axe too). The prime numbers ‘2’ and ‘3’ together (to form 23), relate to ‘creation numbers’ and, in Matrix Reloaded, Neo (the prime man), was told by the Architect (Freemasonry again) that he could select ‘23 humans’ to rebuild Zion, in order to continue the matrix. There are also 23 provinces of China, 22 of which are controlled by the People’s Republic of China (PRC).
The list goes on for those with apparent Apophenia!
Go to Part Two for more thoughts on 2022 and what could play out.
The Cathar lecture given to the Research Into Lost Knowledge (RILKO) at their AGM, at the Rudolph Steiner House, London 2019.
In a short lecture Neil goes into detail regarding the spirituality and political backdrop connected to what history ignores as the ‘true Christians’ – the Gnostic Cathars.
He talks about the possible source of the symbolism, his own art and journeys, through to his personal experiences while travelling in the Occitanie.
In my new book Orion’s Door, I weave together various strands of esoteric knowledge and symbolism significant to the connection between Orion and Saturn worship. The blog below is a sample of such material taken from the book.
But see, Orion sheds unwholesome dews;
Arise the pines a noxious shade diffuse;
Sharp Boreas blows, and nature feels decay,
Time conquers all, and we must time obey.
The Ojibwa (Chippewa) Native Americans call the Orion constellation, ‘Kabibona’kan’, which means the ‘Winter Maker’, as its presence in the night sky heralds the coming of winter. Orion is the marker for the coming of the ‘time of death’ in nature and the eventual arrival of the new sun (new year). He is the ‘Year Maker’, and from late summer through to the Beltane (May Day), Orion dominates the sky above the horizon, along with Aldebaran, the Pleiades, Polaris and Ursa Major. Earth’s Pagan festivals marked by the passage of the Sun and the Moon combined, give us the equinoxes and solstices; but the constellations, especially Orion, seem to provide a ‘backdrop’ for some of the most important rituals (festivals) on Earth.
Orion leaves our night skies during the late spring months of May and into June. While out of sight, Orion is said to be in the Underworld. Orion’s passage through autumn into the heart of winter, and the symbols, festivals and other planetary bodies connected to the star man, not least through a collection of archetypes related to Gnostic hermetic mysticism, astrology, and symbols associated with the trickster, or the ‘fool’.
Tripartite (triangle) symbolism, the number three (see the points on the hat of the medeaval court jester) and the tripartite goddess connects to the notion of doors (gateways) into darker days (or the Underworld) and the nocturnal aspects of Orion. Hecate, was one of the principal deities worshipped in Athenian households as a protective goddess who bestowed prosperity and daily blessings on the family. The ancient Greeks honoured Hecate (or Hekate) during the ‘Deipnon’ – the evening meal, especially on a new moon, but generally, she was a ‘nocturnal’ doorkeeper goddess.
Hecate is sometimes associated with the cypress, a tree that is symbolic of death and the Underworld – sacred to a number of chthonic (under the earth) deities, not least the spider. The ‘Day of Hecate’, or ‘Soteira Nocturnal’, is the Winter Solstice (21st December) and ritual sacrifice was (and still is) a common practice at the solstices and equinoxes in many ‘underworld cults’, not least the Orion-Saturn Cult I highlight in the book. In Hekate Soteira: A Study of Hekate’s Roles in the Chaldean Oracles and Related Literature (1990), Sarah Johnston provides the chief attributes of this goddess. She writes:
Hekate was present whenever souls crossed the boundaries between life and death… In her role as the goddess of the crossroads Hekate’s control over passage of liminal points also included opening and shutting the gates of Hades.1
Beckoning Darkness & the Winter Door
Around 160 AD, the alchemists (or theurgist), authors of the Chaldean Oracles, linked Hecate to the Cosmic Soul in Plato’s Timaeus, whose form was also a celestial ‘X’ (there is a whole chapter dedicated to the ‘X’ symbol in Orion’s Door). The point here is that Hecate, as the ‘triple’ goddess, whether we see her as a personification of the moon, or the torch carrier at the gates of Hades, is the goddess of the ‘darkness’. Hesiod, the Greek poet (750 and 650 BC), one of the authors credited with Homer for establishing Greek religious customs, described Hecate as a ‘primal cosmic force, one that can be called upon when worlds cross’. Like the ‘Three Norns’, or the ‘Three Weird’ (Wyrd) Sisters found in Runic magic, all can be ‘drawn down’ at important dates on the pagan wheel at the equinoxes and solstices. Hecate’s wheel symbolism also relates to the ‘core star’, or ‘soul’, said to be at the centre, interacting with what the Gnostics called the ‘fire serpent’ and primordial energy that creates us. What I see with Hecate’s wheel is a ‘celestial compass’, tuned to the stars (especially Orion) and the moon in the darker days of the year.
The winter triangle formed between the stars of Orion (Betelgeuse) and Sirius (Procyon) form another doorway, which is part of two prominent winter asterisms: the ‘Winter Triangle’ and the ‘Winter Hexagon’. The other two stars forming the Winter Triangle, also known as the ‘Great Southern Triangle’, are Sirius and Procyon, which are the brightest stars in the constellations Canis Major and Canis Minor, respectively (see figure). The configuration is another version of the tripartite symbols associated with darker days.
Writing in his book, Stellar Magic (2009), Payam Nabarz mentions the moon goddess (Hecate) in myths associated with Sirius and the Winter Triangle:
The star Sirius or the Dog Star is part of the constellation Canis Major (Great Dog), in Greek myths he was seen as Orion’s hunting dog. After the death of Orion, Diana placed Orion’s dog in the sky at his heel to help with the stellar hunt. The star Sirius is part of the winter triangle; the two other points of the triangle are the star Betelgeuse in Orion and the star Procyon in Canis Minor. Sirius, the brightest star in the night sky, can be located in the night sky by following an imaginary line from the three stars of Orion’s belt to the left and down. The star Sirius is one of the oldest constellations described by man; the Fire Star is one of the stars in the Babylonian A Prayer to Gods of the Night (circa 1700 BC).2
Canis Major and Canis Minor are the ‘hunting dogs of Orion’ and with Betelgeuse (the reddish star), they are all symbolic of the royal hunt (see fox hunting) in the UK (especially in autumn and early winter when ‘darker days’ draw to us).
Lenaea of the Wild Hunt
Like Orion and Artemis, ‘Lenaia’ (Lenaea) heralded the hunting season, which is predominantly through the autumn leading up to Samhain or Halloween (Hallowe’en). Samhain is a major point on Hecate’s wheel, along with Kali and the Darker aspects of the Goddess. The end of October focuses our attention at the time of the ancestors, when the curtain between the dead and the living opens. As a goddess of the door, Hecate was also known as ‘Arianrhod’, ‘Catherine’ and ‘Persephone’ in other cultures and myths, as she ushers in the winter festival of ‘Lenaea’ and the time of the wild hunts. The wild hunt, popular in ancient Greece, was also akin to celebrating ‘dark forces’ that would run amok from their point of entry into our world at Samhain (Hallowe’en) through to mid-December or Saturnalia. The forces hunting were said to be ‘otherworldly’, captured brilliantly in Peter Nicolai Arbo’s painting, Asgårdsreien (The Wild Hunt of Odin) 1872 and by the German painter, Friedrich Wilhelm Heine, in his drawing, ‘Wodan’s Wild Hunt’ (1882), see figure.
The mantra of Halloween and Christmas in their modern guise, along with imagery connected to other calendar dates, serve as a ‘channel’ for otherworldy forces that feed off our collective energy, primarily through the darker nights as we head towards the birth of the new son (sun), or year. It’s as if a door is opened at the autumn equinox and as daytime gradually gets shorter, with an increase in darkness, we become more susceptible to sublime forces appearing in the visible world. Archetypes are at work in the collective mind, too, and at the time when the veil is thin (from Halloween onwards), we find ourselves starting to go inward.
The Renewal Twins
John the Baptist was said to be born six months before Jesus Christ, and both figures astrologically mark Orion’s arrival in the sky, along with the dog days of the Sothic Sirius calendar. They are the ‘Oak’ and ‘Holly Kings’ or ‘twin sun kings’ whose coronations coincide with the summer and winter solstices – 21st June and 21st December. In Pagan worship, they are also the ‘Green Man’ figure entwined with the goddess forming part of these coronations throughout the solar year, which is why Green Man symbols can be found all over Christian churches and cathedrals (see figure). The hairy woodwose figures, found in iconography and art from ancient Sumeria to 14th Century Christian literature, are also connected to the Oak and Holly Kings.
The bear and woodwose, often depicted in art, are symbols for the ‘Children of Hermes’, the original magicians and angelic humans. A house in Thiers (Puy-de-Dôme), France, shows an effigy of a bear-man (a woodwose) with the head of a Fool on his staff (see figure). The 15th century place is called the ‘House of the Man of the Woods’. The Fool, of course, is a link to Orion, or Kesil (below right); similar sculptures can be found on numerous Christian cathedrals, all of which seem based on the man of the woods – or the children of the bear. John the Baptist was often depicted as ‘hairy’ in canonic art due to ‘Hermes’ connection.
Whether pagan or Christian, the twin sun king (Jesus and John) reigns over the solstices in a perpetual cycle of life, death and rebirth. According to the biblical story, John loses his head, symbolic of the pumpkin (skull) at Halloween, of which some scholars speculate was in the month of ‘Tishre’ (October), sometime after Yom Kippur. Just as the leader of the ‘Sun and Fire’ clans, Pahana, of the Orion worshipping Hopi, also has his head removed on their ancient tablets. The Orion worshipping Hopi deity, Masau’u, was also said to carry a pumpkin-like mask (or head) and a sack of seeds (stars) and all of the symbolism relates to Orion’s appearance in the form of Masau’u between the summer solstice and winter solstice every year.
The twin symbols of the ‘skull and the crucifix’ also represent two prominent dates on the Christian calendar, especially in America – Halloween and Easter. And both festivities have a common denominator, which is ‘death’ and ‘renewal’ represented by the solar king guided by Orion’s passage across the skies.
Light and Darkness at Hallowe’en
The ‘dark side’ is exactly what we are looking at with Halloween and the days leading up to it. The symbolism relates to death, and sometimes the opposite, ‘the god of Life’ (from the light half to the dark half of the year). The imagery associated with the skull (the Halloween pumpkin-head), the scorpion and the ‘Day of the Dead’ was, and still is, a prominent symbol for the cults who focus on death.
As Stephen Arroyo writes in his book, Astrology Karma & Transformation: The Inner Dimensions of the Birth Chart (1992):
The Scorpio period of the year (at least in the Northern Hemisphere) is the time when the life force withdraws from all outer forms in nature and is concentrated in the seed. It is striking that the cultural symbol for this time of the year in the United States is the Halloween pumpkin with its insides removed, leaving only an empty shell with a blankly staring face. In fact, the Jack-o’-lantern is a symbol of death, a symbolic skull with the glimmering remains of the departed life-force represented by the candle within.3
The scorpion (or spider) is an important symbol, too, not only because it represents the astrological period of Scorpio (October – November), but it sits opposite to Taurus (Orion) on the wheel and therefore creates the duality of light and dark. Orion’s death in Greek myth is from the sting of the scorpion. The skull (a symbol of death) is still used as an image at festivals from Halloween through to Christmas, or Saturnalia. From mid December we pass through the final doorway (symbolically) to the ‘new sun’ (the new light) and in some of the Scandinavian folklores, Krampus, (the horned door-keeper), accompanies Father Christmas (see figures). Krampus is alos the goat Pan and represents the nefarious force at work through this period on the calendar.
Saturnalia ‘Time’ – Two Sides of Christmas
On one level, Saturnalia was also a ’festival of light’ in Rome, leading through to the Winter Solstice (21st December). Saturnalia was ushered in and signified through an abundant presence of candles (fairy-lights) and pine trees in ancient Rome. The tree and the lights on them are meant to be symbols of our quest for ‘knowledge’ and ‘truth’ (light) at the darker end of the year. Another aspect of Saturnalia is about both ‘giving’ and ‘taking’ of energy. However, when you look around our modern 21st century version of the Roman ‘Saturnalia fest’, I think it’s safe to say that knowledge and truth has taken more of a back seat (see my Blog on Christmas). The whole period of ‘time’ called Christmas can be an unnecessary burden for too many and it also focuses our energy on ‘polarisation’ of those who ‘have’ and those who ‘have not’. Spending time with family and loved ones is wonderful for most, but sanctioning it as an official holiday becomes tedious, draining and for many that have ‘woken up’, or seen the light, it’s just another energy theft that has no bearing on the real plight of humanity. Before anyone accuses me of ‘Bah, humbug’ (a phrase incidentally that means to act in a ‘deceptive’ or ‘dishonest’ way), I will say that there is a meaningful connection to the ‘introspection’ aspect at this ‘time of year’. The winter period brings ‘clarity of focus’ for those who can look within. Being creative is important, too, as winter kicks in, but the modern day version of what was ancient Saturnalia is nothing more than a ‘massive energy grab’ (our human energy) just as it always was meant to be.
We Three Kings from Orion Are
In previous blogs, I have pointed out correlation theories relating to the three belt stars of Orion (Alnitak, Alnilam and Mintaka) and the pyramids of Giza – not to mention the Hopi’s Three Mesas of Arizona. However, many myths are allegories of the path of the sun through the zodiac signs, and the famous axiom, ‘As above and so below’, is so true. The word Orient, in the Christmas Carol We Three Kings from Orient Are, should be replaced by ‘Orion’ – ‘We Three Kings of Orion Are’. The three Magi, or ‘Drie Koningen’, who searched for the newly-born solar Christ are symbolic of the three stars in the hunter’s belt in the winter sky (see figure).
The Three Kings could also represent three divine aspects of ‘will’, ‘love’ and ‘intelligence’ (three lights) in some sources. The name, Orion, in Hebrew, means ‘the breaking forth of light’ and therefore symbolises the ‘place of light’. In ancient Akkadian, Orion was ‘Ur-ana’, the light of heaven and is the ‘place’ from where Saturn (Saturnalia) gets its interstellar instructions.
In some South American cultures, Orion’s Belt is known as ‘Las Tres Marias’ (The Three Marys) in honour of Mary of Nazareth, Mary Magdalene, and Mary of Bethany. Astrologically, the alignment of Orion’s belt (three Kings or Marys) as they follow Betelgeuse moving east over the horizon, towards the birth of the sun in the precessional cycle across the sky at night (on December 25th), adds another layer to the Christmas story. The shepherd’s dog (Sirius) and the ox (Taurus) in the stable all add another facet to the Christmas tale. It is a story that clearly seems to map the position of the stars and offer the idea of a ‘star being’ being born.
The Trickster Star Gods
In Greek myth, the Minotaur and Ariadne are aspects of the Underworld and associated with Dionysus, another Christ-Orion figure. It was Ariadne, according to Greek myth, that created the Labyrinth to hold the horned Minotaur. In fact, the giant spider-scorpion (see figure) and the Minotaur are symbolic of nefarious forces opposing Orion in Taurus. It is also interesting to note that in Lakota myth, there is a giant spider called ‘Iktomi’ who is a trickster spirit, and a culture hero for the Teton Sioux Lakota people. Alternate names for Iktomi include Ikto, Ictinike, Inktomi, Unktome, and Unktomi and according to numerous North American plains tribes, Iktomi represents a star deity. I would suggest Ikto is connected to nefarious forces originating from Orion’s star, Betelgeuse, just as are the Koshari clowns in Lakota belief (see my blog on Orion).
On another level, Lakota mythology itself is a ‘living belief system’ and the spider, Iktomi, represented a ‘living (alien) consciousness’ that would spread its web all over the land. Today, this has been interpreted by some contemporary Native Americans to be the telecommunications network, the Internet, or the World Wide Web. Some Lakota see the spirit of Iktomi as the patron of ‘new technology’, from the invention of language, to today’s modern cyber world of the computer, robots and I would add ‘artificial intelligence’. I would suggest that the ‘spider’ is a prominent image that could relate to an extraterrestrial intelligence that has hacked into our minds. The themes in so many science-fiction movies, not least The Matrix movies seem to suggest such a phenomenon.
The Fool and the Lord of Misrule
Another aspect to Saturnalia, is the ‘King of Saturn’ who ruled as the ’master of ceremonies’ for the proceedings through the Saturnalia period. He was appointed by lot and has been compared to the medieval ‘Lord of Misrule’ at the ‘Feast of Fools’, the last day of Saturnalia at Epiphany (6th January). In England, the Lord of Misrule (known in Scotland as the ‘Abbot of Unreason’ and in France as the ‘Prince des Sots’) was an officer appointed to preside over the Feast of Fools (see figure).
The Lord of Misrule was generally a peasant appointed to be in charge of Christmas revelries, which often included drunkenness and wild partying, in the pagan tradition of Saturnalia. The donkey, or ass, was another symbol of misrule and ‘mockery of law and order’, ‘title and kingship’. In Ancient Egypt, Seth, Osiris’s brother and slayer, was sometimes shown to have the head of an ass. That’s why Apuleius in ‘The Golden Ass’ describes a great metamorphosis, the transformation of Lucius to a donkey and his way back – spiritual evolution towards the human being. Jesus (like King Solomon before him) was also said to ride into Jerusalem on a donkey, which of could relate to Jesus as the Saturn figure, a Lord of Misrule, on one level. The ‘She-Mule’ could be also seen as ‘Donkey Pope’ found in anti-Catholic Satire during the Reformation in 16th-century Germany. Some of the oldest tarot decks also show the Pope as a Donkey.4 The ass and the Lord of Misrule go together at both Saturnalia (Christmas) and Ostara (Easter). There is also a connection to the character, Puck, from Shakespeare’s, ‘otherworldly’ A Midsummer Night’s Dream – from where the line, “Weaving Spiders Come Not Here” derives. A phrase that can be found at the infamous Bohemian Grove elite summer camp, a club motto which implies that outside concerns and business deals are to be left outside.
The idea of a Lord of Misrule during Saturnalia also reminds us of the Donkey Pope/Priest that the Church Fathers mention, including Tertullian. This ass-faced ‘scapegoat’ connects to Baphomet of the Oriental Knights Templars and the redeemed Gnostic archon, ‘Sabaoth’, also called the ‘Lord of Forces’ in Gnostic scripture, Hypostasis of the Archons and On The Origin of the World. This Donkey-like god was connected to Yahweh (Jehovah) by the Gnostics, as Epiphanius in the Panarion (26:12:1-4).
The Lord of Misrule gets more gruesome in Rome. In ‘Durostorum on the Danube’ (modern Silistra), Roman soldiers would choose a man from among them to be the Lord of Misrule for thirty days through December. The classic image of the Fool, or jester is also a Lord of Misrule figure (see figure). The three pointed hat seems to represent the triptite symbolism of Orion, or what I refer to as The Orion (interstellar) Cult, or the Orion-Saturn-Moon Cult in my book. At the end of those thirty days, his throat was cut on the altar of Saturn.
Similar origins of the British Lord of Misrule, as a ‘sacrificial king’ (a temporary king, who was later put to death for the benefit of all, have also been recorded. See the movie, The Wicker Man (1973) starring the late, Lord of Misrule himself – Sir Christopher lee. Christopher (Frank Carandini) Lee, who never got to play either ‘Santa’ or ‘Krampus’, as far am aware, often mentioned his ancient Roman ancestry (bloodline) in books and on TV interviews. His autobiography, Lord of Misrule (published by ‘Orion’ in 2003), hints at his knowledge of the occult and symbolism associated with Saturnalia, ancient Rome. I once stood next to Lee at a Eurostar waiting area over twenty years ago, at the time he had just finished filming the Lord of the Rings trilogy and he seemed both enigmatic and ‘strange’ to me. Whether ‘Sauroman’, ‘Lord Summer Isle’ or Count Dracula, his movies were very Saturnian, to say the least.
Roman Saturnalia was also best known for roles reversal and behavioural license (the Lord of Misrule again), allowing slaves to act like masters and vice versa. Roman slaves were treated to a banquet of the kind usually enjoyed by their masters. Role-playing was implicit in the Saturnalia’s status reversals, and there are hints of ‘mask-wearing’ or guising in ancient Rome. Historically, elite families would have loved all that role-play, hunting in masks and generally playing roles reversed? Maybe they did and still do? Slaves were set free just for the festivities… So ‘nothing’s changed then?’ See every Bank Holiday in the western world. Who is it that rules over the banking system astrologically? Saturn!
Who owns the banks? Those in power that seem to ‘adore’ Saturnalia. Henk Versnel writes in Saturnus and the Saturnalia (1994):
Gambling and dice-playing, normally prohibited or at least frowned upon, were permitted for all, ’even slaves’. Coins and nuts were the stakes. On the Calendar of Philocalus, the Saturnalia is represented by a man wearing a fur-trimmed coat next to a table with dice, and a caption reading: “Now you have license, slave, to game with your master.” Rampant overeating and drunkenness became the rule, and a sober person the exception.5
The festival time, or holiday season (from Thanksgiving to Christmas), is when you are allowed to feel free for a week or so, to drink (be merry) and pretend that you’re not a ‘slave to the system’. Under our current Corona restrictions, we seem to be in slave mode perpetually.
If people wish to make a change and want to really ‘vibrate’ to a ‘higher level’, and go beyond the religious symbolism and materialism connected to Halloween and Saturnalia, we may have to ‘come away from the ‘same old rituals’, programmes and polarised views that are tucked away within all of the ‘razzamatazz’. Symbols, icons, stories and legends are more powerful than we can imagine. We are still in ancient Rome (and Egypt) in so many ways; these rituals and festivals have been with us since then and linger still. I would prefer to focus on ‘introspection’ at this time of year (which is hard when you have small children, I know) but whatever you do, make sure you can get out of the ‘Saturn vibe’, even if it’s just for an hour or two, to contemplate the ‘bigger picture’ beyond the hold of Saturnalia in the darker half of the year.
We have to look beyond the overarching reach of Orion’s presence too, if we are to pass through the door into higher levels of consciousness.
1) Hekate Soteira. A Study of Hekate’s Roles in the Chaldean Oracles and Related Literature (1990), & Sarah Johnston (Oxford University Press; 1 edition (May 1, 1990) Johnston, 1990, p150
2) Payam Nabarz is the author of numerous books on mythology and magic, including The Square and The Circle (2016), and Anahita (2012).
3) Stephen Arroyo writes in his book, Astrology Karma & Transformation: The Inner Dimensions of the Birth Chart. CRCS Publications, 1992, p59
5) Versnel, Henk. Saturnus and the Saturnalia. Inconsistencies in Greek and Roman Religion, Volume 2: Transition and Reversal in Myth and Ritual. 1994 p112
I have a new book about to be published this November titled, Orion’s Door: Symbols of Consciousness & Blueprints of Control – The Story of Orion’s Influence Over Humanity. One of the themes running throughout the book relates to ‘cyborgs’, ‘artificial intelligence’ and what most call ‘alien life’. In this post, I am going to highlight a few snippets from the book and illustrate some of the connections to the current ‘dystopian movie-like’ scenario we find ourselves today.
Masks and Robots
The word ‘robot’ was introduced to the public by Czech interwar writer Karel Apek in his play R.U.R. (Rossum’s Universal Robots), published in 1920.1 But the word ‘robot’ itself was not new, existing in the Slavic language as ’robota’ (forced labourer), a term used to classify peasants obligated to ’compulsory service’ under a feudal system. It certianly feels as though we are entering a futuristic ‘master and serf’ society at the moment. The mask and robots have recently merged, too. As face coverings become the madated ‘new norm’ amid the coronavirus pandemic, Japanese startup Donut Robotics developed an internet-connected ‘smart mask’ that can transmit messages and translate from Japanese into eight other languages.2 As I show in the book, there are numerous connections to ancient-future gods, technology and the coming ‘AI controlled’ global Cyber-Grid Empire.
The word ‘mask’ seems to have appeared in English in the 1530s, from Middle French ‘masque’ (a covering to hide, or guard the face), derived in turn from Italian ‘maschera’, from Medieval Latin masca ‘mask, ‘spectre’ or ‘nightmare’. The oldest masks discovered are roughly 9000 years old, at the Musée ‘Bible et Terre Sainte’ in Paris, and the Israel Museum in Jerusalem. The mask also comes from Ancient Greek Bacchanalia and the Dionysus cults; it relates to ‘controls on behaviour’ being temporarily suspended, as ‘something else’ comes through the wearer to cavort; often causing mayhem. Have you been ‘challenged’ in a shop, supermarket or on public transport yet by the robot-like, mask wearing member of the Orwellian thought police? I have, and I have kindly told whoever to mind their own business. The mask is also symbolic of a ‘face without a body’, or a ‘head without a body’, often called the ‘faceless one’, or ‘Little Face’. All of this relates to Orion symbolism, as I show in great detail in the book. The Lone Ranger figure made popular as the fictional masked, former Texas Ranger who fought outlaws in the American Old West (with his Native American friend, Tonto) is another classic Orion archetype. Simillar concepts can be found in the American and UK Masked Singer – reality singing competition television series (part of the original South Korean Masked Singer by Munhwa Broadcasting Corporation franchise) see figure.
It was no surprise to see the word ‘Orion’ used in a movie called The Man Who Would Be King (2015). A film that tells the story of Jimmy Ellis – an unknown ‘masked’ singer plucked from obscurity and thrust into the spotlight as part of a crazy scheme that has him masquerade as Elvis, returned from the grave (see figure). The King, Queen, Empress or Emperor, etc., are all Orion archetypes related to empire building on Earth .
The use of carnivalesque masks in Jewish Purim festivities of the late 15th century also seem to have been part of Judaic tradition, and connected to the Orion archetype, Kesil Horeth (see Orion’s Door). Elsewhere, North American Iroquois tribes also used masks for healing purposes and in the Tibetan culture, masks functioned above all as mediators of supernatural forces.3 The Mayan bat God, Camazotz, which translates to either ‘death bat’ or ‘snatch bat’ relates to mediators of dark, supernatural forces connected to what the Mayans’ (in the Popol Vuh) referred to as, Xibalba, which is in Orion. The use of bat symbols concerning ‘dark forces’ operating from the shadows is common, see the ‘official’ narrative for the ‘origins’ of Covid-19. The archetypal Batman figure in movies like Dark Knight Rises (2012), which features the ‘masked’ villain, Bane, also seems to be symbolic of billionaire Cult operatives (see psycopaths like Bill Gates) and otherworldly forces behind the global problems we are currently enduring.
The psycopaths creating ‘malevolent’, dark, global problems we endure (which seems to be nothing but Covid at the moment) can be summed up in one image below.
Robots, or mask wearing gods/goddesses and technology are not entirely Science fiction, the concepts go back to the ancient world and can even be found in the Middle Ages, from Iron Maidens, to the technological inventions by fifteenth-century Venetian physician, engineer, and alleged ‘magus’, Johannes de Fontana (1395-1455). Author, Adrienne Mayor, in her book, Gods and Robots: Myths, Machines and Ancient Dreams of Technology (2018), even suggests that robots (like the goddess Pandora) lived amongst the gods of the ancient world.
Opening Pandora’s Box
It is said in Greek myth, after humans received the stolen gift of fire (knowledge of technology) from Prometheus, an angry Zeus decided to give humanity a ‘punishing gift’ to compensate for the knowledge brought by Prometheus. Zeus commands Hephaestus (the god of fire and technology) to mould from earth the first woman, a ‘beautiful evil’, whose descendants would torment the human race for millennia. After Hephaestus creates this beautiful figure, the goddess Athena dresses her in a silvery gown, an embroidered veil, garlands and an ornate crown of silver stars. As I mentioned in my previous blog, the crown relates to the ‘corona’ and the the ‘Keter’ in the Kabbalah, which connects to a higher state of awareness and therefore our ability to become conscious, or truly aware of our spirit.
The mysterious ‘synthetic’ woman created by Hephaestus remains unnamed in Hesiod’s poem, Theogony (c. 8th–7th century BC), but is presumably ‘Pandora’, whose myth Hesiod revisited in Works and Days in the same century.
The Ancient Greek Pandora is nothing like the Pandora in the American science fiction television series, of the same name that aired in 2019; the ancient Greek Pandora was ‘totally’ artificial. She had a key position on the Acropolis in Athens, with a massive line-up of gods and goddesses on either side of her. Pandora was eventually brought to earth by Hermes (Mercury), according to the myths; her jar, or ‘pythos’, was thought to be made of metal (possibly bronze) and considered unbreakable. Pandora’s jar (mistranslated as a box) probably contained both benevolent and malevolent ‘non-physical’ life forces, possibly the Jinn, likely where the notion of the genie in the bottle originates. Fate, duality and hope were also said to be contained within Pandora’s jar but the releasing of these forces created pain and suffering on humanity. The Gnostics, as I have mentioned in other blogs and talks, called these non-physical forms, ‘chaos’, the home of the Archons, demons and the ‘ghosts in the shell’ that still haunt human life. Another story is the ancient myth of ‘Pygmalion’ and his love for a nude, ivory statue of his own making, probably the first ancient ‘adult doll’. The amount of female celebrities (singers) adorning robot imagery gives credence to the theme of robot (artificial intelligence) controlling the elite, too. Beyoncé, Kylie Minogue, Christina Aguilera, Lady Gaga to name just a few have flaunted the Pandora-Maschinenmensch look (see figure).
When Pandora first appears before gods and mortals, it is said ‘wonder seized them’ as they looked upon her. But she was ‘sheer guile, not to be withstood by men’. Hesiod elaborates (590–93):
From her is the race of women and female kind: of her is the deadly race [of robots] and tribe of women who live amongst mortal men to their great trouble, no helpmates in hateful poverty, but only in wealth.
Of course, Hesiod is limited by the perceptions of his time, referring to an ‘artificial life force’ that supposedly ‘animated’ Pandora and her kind. The concept of the Jewish Golem, an animated stone, or clay manikin is similar in concept. One ancient story concerns the bringing-to-life of inanimate objects by fiat. At the time of the great deluge, Deucalion (Noah) and his wife, Pyrrha (Naamah), would toss rocks over their heads that turned into men and women. So are the concepts found in Goethe’s play, Faust and his homunculus (a fully formed ‘replicated’ individual). So are the 14th century Kabbalistic teachings of Rabbi Loew on how God created Adam (Orion).4 Was Hesiod referring to a ‘race of robots’? We cannot know for sure but Pandora is clearly depicted as a classic ‘kore’, a Greek statue of a young woman (maiden), standing and clothed in long robes, with an unusual ‘Stepford Wife-like’ stare (see figure).
Like the original 1972 movie The Stepford Wives, there is a ‘gentlemen’s club’ (the Cabal) working ‘behind the scenes’ creating the fawning, submissive, impossibly beautiful ‘android wives’. There are so many movies and TV series in recent years that have pursued themes relating to future human life-like androids populating the world, from HSBO’s Westworld (2016), to the Channel 4 and Kudos production Humans (2015-2019). The synthetic humans in Humans are identified by enhancing the ‘eyes’ only.
The third series of Westworld actually has a ‘Transformer-like’ robot in the plot which makes me wonder if there is more to know about such sentient machines. Interestingly, the original Westworld (1973) poster featuring Yul Brynner’s half exposed robot face offers a visual connection to the obsession with ‘mandatory mask wearing’ across the world because of the coronavirus pandemic (see figure). I go into the Transformer subject in more depth in Orion’s Door.
Only the logic of fear can be applied to compulsory ‘mask-wearing’, which came into effect in the UK at the time of writing. You have to ask, if it is crucial to wear a mask, then why was it not made mandatory at the beginning of the ‘Lockdown’ in March 2020, or in June when the population were taking Boris Johnson’s confusing ‘baby steps’ back to normality? As many are starting to realise, the Covid-19 pandemic is more about mind control and has nothing to do with a ‘disappearing’ coronavirus, if there was a deadly virus at all? At the time of writing, 95% of the world’s population lives in countries that require or ‘recommend’ mask wearing (including China, the USA, Germany, Russia, South Korea, Brazil, India, and France). What happened and why did this all change so rapidly, especially after the ‘curve’ was flattened from May onwards? Total propaganda happened. In March, a group of researchers and scientists started #Masks4All after realising (yeah, right!) that there was clear scientific evidence showing that ‘cloth’ masks limit the spread of Covid-19.5 Again, its all propaganda! The personnel fronting Masks4All include an Australian ‘data scientist’ and ‘entrepreneur’, Jeremy Howard, who is ‘connected’ to the World Economic Forum (WEF), a 1% (elite) front for the Cabal (Cult). There is an agenda beyond ‘stopping the so-called virus’ for mandatory wearing of masks, etc., which is clearly about ‘eradicating’ what we considered ‘normal’ before March 2020. Hence the constant use of the phrase in the media, ‘The New Normal’. You’d be forgiven for thinking the whole Covid Circus was a ‘psyop’ designed to alter behavioural patterns of nations. Look around, we are becoming ‘robot-like’.
It’s time for people to get informed, debate politely with anyone who attempts to enforce such insanity. Adverse health issues, caused by the constant wearing of masks, will have huge repercussions on the populace, as many medical experts are now saying. Covering the mouth and nose is akin to denying ourselves the ‘breath of life’, which is a crucial symbol or statement that the psycohpaths want to reinforce. Our breath is our soul, our spirit; therefore, forced mask wearing is an attempt to deny our true spirit.
At the time of the coronavirus outbreak a leading Chinese AI firm, SenseTime, were enabling contactless temperature detection software deployed across underground stations, schools and community centres in Beijing, Shanghai and Shenzhen. The technology used can recognise faces, even if they are wearing masks, with a relatively high degree of accuracy. Another Chinese AI firm, Megvii, boasts a similar temperature detection product, deployed in Beijing at the time of the coronavirus outbreak. The Chinese newspaper, Global Times, reported in 2020 that officials in Chengdu city, Sichuan province, had been issued with ‘smart helmets’ that could measure the temperature of anyone within a 5m radius, sounding an alarm if they were found to have a fever. The world is being moved into an AI dystopian society where those who control the Cyber-Grid Empire will control everyone on earth. China is the model for such massive surveillance and control and it’s coming to us all unless we wake up fast!
What next? The Handmaid’s Tale? We are been forced to wear mouth covers (muzzles) just as the handmaid’s mouths were forced shut by ring piercings in that dystopian narrative. It seems, tyranny-in-the-making has never been so fashionable for some folk.
Cyborg Queens – Controlling the Hive Mind
The Maschinenmensch (German for ‘robot’ or literally ‘machine-person’) is a fictional character in Fritz Lang’s film Metropolis (1927), played by German actress Brigitte Helm, in both its robot form and human incarnation (see figure). In the movie, she is a gynoid (a female robot or android) created by the scientist, Rotwang. Named Maria in the film, and ‘Futura’ in Thea von Harbou’s original novel Metropolis (1925), she was one of the first robots ever depicted in cinema.
The Maschinenmensch has been given several names through the decades: Parody, Ultima, Machina, Futura, Robotrix, False Maria, Robot Maria, Roboria and ‘Hel’ (from where the word ‘Hell’ originates). Maschinenmensch and Metropolis, symbolic of Pandora’s presence over her otherworldly jar, uses conceit, creating a reality where workers (worker bees) live below the ground. In contrast, the aristocracy live in skyscrapers high above the worker slaves of ‘Metropolis’. Pandora and Maschinenmensch are the ‘fallen Eve’, revealed to the world as the robot Sophia, a citizen of Saudi Arabia in 2017 (see figure). Similar themes can be seen in the 2014 movie, Ex Machina. The American Cyberpunk action film based on the 1990s Japanese manga series, Alita Battle Angel, seemed to connect all the dots in terms of symbolism and themes relating to human cyborgs. Produced by Jon Landau and James Cameron, the movie depicts another ‘fallen’ Eve/Sophia figure who emerges from the wreckage of one world to become a beacon in a new ‘tyrannical world’, ruled over by an unseen technological dictatorship and policed by cyborg serial killers. The word ‘Elita’, in Latin, means ‘chosen one’ and in Hebrew means ‘high above’ or ‘most excellent’.
In the American science fiction franchise Star Trek, the ‘Orions’, also known as the ‘Orion Syndicate’ (a fictional extraterrestrial humanoid species) made their first appearance in the original TV pilot series Star Trek: The Cage (1965). In this episode, the USS Enterprise, under the command of Captain Christopher Pike (not Kirk), receives a radio distress call from the fourth planet in the ‘Talos’ star group, Talos IV from whence the ‘Talosians’ originate. The use of the word ‘Talos’ again hints at the exoskeleton, Tactical Assault Light Operator Suits, otherwise known as ‘TALOS’, being built by the US military (see figure). There is much more to the symbolism relating to the Greek god, Talos, Knights (living armour) and the ancient race of gaints, which is covered in my book.
More engagingly is the portrayal of Orion females in these episodes of Star Trek. They are often Osiris (Orion) green and renowned for their use of pheromones to influence men sexually, so to ‘distract’, and in this scenario, used for an attempted theft of the starship Enterprise. You could say they are ‘Pandora-like’ in their approach. The Talosians are portrayed as a subterranean race of humanoids with bulbous heads that use ‘technology’.
They are described as sentient humanoid natives, who over 100,000 years ago, fought a nuclear war, leaving most of the planet’s surface uninhabitable – a common theme in many movies since 2010. Living under the surface of their planet, the Talosians developed powerful psychic abilities, able to create illusory realities through the use of memories. The Talosians also seem to appear as part human, part-grey, part reptilian in appearance and I am certain the Grey alien is a ‘hive mind’ species, connected to the Zeta Reticuli star system and Rigel in Orion. Orion women have also been portrayed in the movies Star Trek (2009) and Star Trek Into Darkness (2013), where one is seen seducing Captain Kirk. The Pandora aspect of these fictional characters is obviously hinting at the power of ‘sex magic’ and also the mesmerising allure of such otherworldly creatures. I’ve met a few in my time and you have to wonder how many males and females we encounter who are not under the influence of some kind of mind control. The Orion’s in these science fiction narratives operate a mafia-style syndicate (in space) where aliens are ‘trafficked’ and Orion women/girls are seen as (sex) slaves (see figure).
The Orion girl slave image is popular amongst the bizarre Japanese Cosplay characters. Such topics seen in these science fiction scripts makes me wonder if they are inspired by the very real, and utterly vile, global sex trafficking activities that have come to the surface in recent years. The late Jeffrey Epstein story of underground facilities (dungeons) on Little St. James in the Caribbean is one such story of such vile activities.6 Male Orions also made their first appearance in the Star Trek: (the Animated Series) episode The Pirates of Orion (1974), but did not appear in live action until the Star Trek: Enterprise episode, Borderland, which also featured female Orions. I feel that the so-called ‘Orion Federation’ talked about in numerous books and channelled texts is an actual empire very similar to the Galactic Empire seen in George Lucas’ Star Wars movies. Orion’s stars could be home to a vast array of alien species and I am convinced that sentient mechanical beings are part of that mix of alien life, along with other human types including reptilian-greys. The movie Jupiter Ascending (2014) gives a fictional peek into the vast array of alien lifeforms operating through a hive mind hierarchical structure affecting other planets, including earth. Ridley Scott’s Prometheus (2012), the Alien prequel, includes the android, ‘David 8’, who is responsible for unleashing the ‘Alien’ species on humanity. The symbolism around the biblical figure, David, is hugely relevant to the bloodlines connected to the giants, are also covered in the book.
AI Controlled Borgs
The plan to turn humans into AI-controlled cyborgs has been symbolised many times in science fiction movies and television series, and few more accurately than Star Trek and its concept of the ‘Borg’. These are portrayed as a ‘collective species’ – part biological, part technological – that have been ‘turned’ into cybernetic organisms functioning as drones within a hive mind called the ‘Collective’, or the ‘Hive’. The Nefilim, Watchers, Reptilians, Greys and others Archontically-controlled are also a ‘hive’ species. The Borg are portrayed as emotionless drones, malevolent just like the Gnostic Archon entities; all are coordinated by a ‘Borg Queen’ in the way a queen bee controls a hive.
Similiar themes appeared in the movie The Great Wall (2016), where a collective reptilian species called the ‘Tao Tei’, all controlled by a Queen that had come to earth in ancient times, directs her hoard to feed off humanity. The aliens and their hybrids (like the Greys and Reptilians, found in so many books and literature) are said to have a similar structure based on a Queen. Therefore, would it be too much of a stretch of the imagination to think of the archetypal alien ‘Queen’ as pure artificial intelligence? Are we being manipulated by a technological species that is also using other alien species to create a technological prison on earth? Cyborg Orions, as I call them are also epitomized in the I Robot movie (2004) which shows ‘VIKI’ (Virtual Interactive Kinetic Intelligence) as the central ‘Queen intelligence’ controling all of the robots. She makes Google’s Alexa look like an Abacus compared to a Cell Phone. The Alexa-like cyborg world is where we are going in the not-too-far distant future. ‘Skynet’ is waiting unless we become conscious and awakened to our true state. When the likes of Bill Gates, likens AI to “simply better software”, then we all need to be worried. Especially in relation to autonomous weapons systems controlled by AI.
The key to understanding alien life is to look at the devices we are now using and if you’re of my generation, when there was no digital world, no Wi-Fi interference or none of this ‘other’ intelligence, the world felt very different. All of this technology has come from ‘somewhere’ – it hasn’t just evolved. Humans haven’t decided that they’re suddenly going to build robots that are artificially intelligent, this is not a ‘natural’ evolution for humanity. As I am hinting at here, we’re dealing with an infusion of artificial intelligence giving us the tools to ‘reconstruct’ our world to the detriment of future generations. The coronavirus pandemic is playing its part, but, reconstructing our world to the detriment of future generations, is the conspiracy! We are destroying our world, courtesy of alien (artificial) intelligence (which operates through an elite) that wants the world to resemble a synthetic playground, such that alien intelligence can purely interact with and control – the goal being the end of the organic human species as we know it. I think we will reach a point that hasn’t happened yet – where it’s going to be very difficult for a highly-evolved human, interacting with their Superconsciousness (or Infinite Awareness), to NOT see the alien, the digital beast for what it is – pure evil.
It’s time to bring this madness to an end, or our children will have to live in a dystopian Covid movie indefinitely.
1) Roberts, Adam. Introduction to RUR & War with the Newts. London, Gollancz, 2011, pp.vi–ix
3) François Pannier, Stéphane Mangin. Masques de l’Himalaya, du primitif au classique. Paris: Editions Raymond Chabaud, 1989, p44 / Lisa Bradley & Eric Chazot. Masks of the Himalayas. New York: Pace Primitive Gallery, 1990.
4) Wilson, Eric G. The Melancholy Android: On the Psychology of Sacred Machines. State University New York Press, 2006, p80-81